Reviving the Traditional Wood Art of Hunza Valley

Deep in the mountainous heart of Gilgit-Baltistan, the Hunza Valley is celebrated for its breathtaking landscapes, rich culture, and centuries-old traditions. Among these traditions is the intricate art of wood carving, an expressive form once visible in the balconies of old Hunza homes, mosque doorways, and daily household utensils. Though long in decline, this art is experiencing a quiet renaissance, thanks to the dedication and craftsmanship of one man: Shafqat Karim, founder of Hunzo-E-Hayan.

Hunzo-E-Hayan, meaning “Gifts of Hunza” in the local language, is more than a workshop. It is a cultural space that fuses heritage, environmental sustainability, and artistic excellence. Visitors walking through Karimabad’s bazaar will find a small but distinct studio tucked near Baltit Fort. Inside, the scent of fresh-cut walnut and apricot wood lingers, and every shelf displays the skill of a man who turned passion into preservation.

The Artisan Behind the Legacy: Shafqat Karim

Shafqat Karim is not your typical artist. A former police officer by profession, Shafqat left behind a stable government career to pursue his love for woodworking. Self-taught and deeply connected to his roots, he began experimenting with fallen wood from local orchards and forests. Without any formal training, he mastered the tools, techniques, and textures that define Hunza’s traditional wood-carving identity.

Unlike many contemporary artisans, Shafqat sources all his materials sustainably. He collects only deadwood from fruit-bearing trees such as walnut, apricot, cherry, almond, and pear. These are often gathered from remote areas including Shimshal, Gojal, and Nagar during autumn, when branches naturally fall. His approach is environmentally responsible, reflecting a deep reverence for nature and the community he serves. No live trees are ever cut in the making of his art.

The Traditional Wood Art of Hunza Valley at Hunzo-E-Hayan: Handmade, Sustainable, and Cultural

Each piece created at Hunzo-E-Hayan is carved by hand. The studio produces an exquisite variety of items, ranging from utilitarian kitchen utensils to decorative heirlooms. Notable items include salad forks and serving spoons carved from apricot wood, bowls made of cherry and mulberry, tea coasters featuring traditional geometric patterns, and jewelry boxes crafted with detailed engravings inspired by Hunza’s history.

One of Shafqat’s most celebrated creations is the hand-carved trophy for Hunza Premier League (HPL). The trophy, crafted from apricot wood and designed with symbolic elements of Hunza’s natural and cultural identity, gained national attention and reaffirmed his reputation as an artisan of rare skill.

Various Hunza Premier League season wooden trophies carved by Shafqat Karima at Hunzo-e-Hayan.

Each item tells a story, not only of the tree it came from but of the valley’s cultural fabric. These products are not mass-produced. They are thoughtful, durable, and deeply personal, making them ideal souvenirs for tourists and valuable collectibles for art enthusiasts.

Why This Work Matters: Preserving Hunza’s Cultural Identity

Hunza’s traditional wood-carving heritage once thrived as an essential part of local architecture and everyday life. Ornately carved beams, pillars, and window frames were visible in homes and communal buildings. However, with modernization and the availability of factory-made goods, this craft slowly faded. Hunzo-E-Hayan is part of a growing movement to restore and adapt this tradition for modern times.

By reviving this practice, Shafqat Karim is not just preserving art—he is maintaining a cultural lineage that has been passed down for generations. His work also stands as a living example of how ancient traditions can evolve to remain relevant in the contemporary economy.

Eco-Conscious and Community-Oriented

Sustainability is at the core of everything Shafqat does. His philosophy of using only fallen wood minimizes environmental impact while promoting responsible consumption. In an era of deforestation and climate change, his practice represents a model for other artisans across the region and beyond.

Shafqat Karim at his Hunzo-e-Hayan workshop in Karimabad, Hunza.

Moreover, the economic contribution of Hunzo-E-Hayan cannot be overlooked. The shop attracts hundreds of visitors annually, including domestic tourists and international travelers. Each purchase directly supports not only Shafqat but also local wood collectors, tool makers, and apprentices who rely on this ecosystem of traditional craftsmanship.

Visiting Hunzo-E-Hayan: A Cultural Experience in Karimabad

Located at the upper end of the Karimabad bazaar, just before the historic Baltit Fort, Hunzo-E-Hayan is easy to spot for those exploring the valley. The shop’s modest exterior contrasts with the rich stories and artistry found inside. Visitors can interact with the artist himself, learn about the origin of each piece, and even observe the carving process in real time.

Prices vary depending on the complexity of the item. Simple utensils may start from PKR 500, while ornate decorative items and carved boxes can range up to several thousand rupees. Despite their modest cost, these pieces carry far greater cultural and emotional value than factory-made souvenirs.

A New Chapter for Hunza’s Handicraft Economy

Hunzo-E-Hayan is part of a broader movement in Hunza aimed at revitalizing indigenous crafts. Alongside embroidery, carpet weaving, and jewelry-making, wood carving is regaining its place as a viable livelihood and cultural export. Organizations, hotels, and local tourism boards have begun to recognize and support such artisans through exhibitions, collaborations, and gift programs.

The increasing visibility of Hunzo-E-Hayan across digital platforms has further contributed to this momentum. Visitors now seek the shop not only for its products but also for the meaningful experience of connecting with a local artisan preserving his heritage with dignity and purpose.

Carrying Forward the Spirit

Shafqat Karim’s story is one of transformation, resilience, and dedication. By reviving wood carving in Hunza Valley, he has reclaimed a nearly lost tradition and turned it into a source of pride for his community. Hunzo-E-Hayan is more than a shop. It is a symbol of what happens when passion meets heritage, and when sustainability meets artistry.

Every handcrafted item from this studio is a piece of Hunza’s soul, carved with care, rooted in tradition, and carried into the future by one man’s unwavering commitment.

Summary

AttributeDescription
ArtisanShafqat Karim, former police officer turned wood-carver
LocationKarimabad Bazaar, Hunza Valley (near Baltit Fort)
Workshop NameHunzo-E-Hayan
ProductsHandcrafted wood utensils, decor, musical instruments and traditional souvenirs
Materials UsedFallen wood from walnut, apricot, cherry, almond, pear
SustainabilityNo live trees cut; eco-conscious harvesting
Best ForHeritage seekers, ethical shoppers, craftsmanship lovers
Price RangePKR 500 to 50,000+
Cultural ImpactReviving Hunza’s traditional wood-carving heritage
Contact+923355200911

What do you think about Shafqat Karim’s initiative to reviving the traditional wood art of Hunza Valley? Do let us know in the comments below.